top of page

Performative Environments build on the qualities of materials and technologies established in optical architectures, however they give a rise to performance by elaborate compositions of architectural structures, live performers, participating audiences and live-feed computer generated technologies manipulating the projected image and time. Unlike installations of optical architectures that incite the audiences to project their own associations, memories and the imaginative body and mind within the immersive space of installations that already in themselves perform - performative environments encourage them to act and become a living part within the landscapes of their performance.

  • Grey Vimeo Icon
  • Facebook
  • Twitter
  • YouTube
  • Pinterest
  • Tumblr Social Icon
  • Instagram
Unfolding Baroque - Publication
00:00 / 03:04

©2020 Lenka Novakova

FOLD1

FOLD

The participatory environment F O L D is an elaborate multimedia landscape developed as an experiment and a public prototype of my doctoral research. As such, it is both a theoretical and practical proposition of performative space formed by shifting agencies of stage, auditorium and expanded cinematic screen along with the audience taking part in the performative action, composed collectively by them.  The environment is designed as an interlocked system of folds composed of projection fabric and mirrors, forming optical architectures of a performative landscape. Numerous projectors are engaged in a layering real-time projected image with various time delays, programmed through Max/MSP, within and throughout the folds.  Structure-born sound resonates throughout the space via transducers attached to each glass.

 

The entire structure has a monumental feeling. It reaches 14 feet up towards the ceiling, into the suspension grid and is about 20 feet across its span. Each fold is composed of a 36” strip of fabric designed in a U-shaped form, held in place by the suspension structures. Each fold contains nine mirrors. These are suspended in sets of threes within the interior of the fabric. There are three mirrors along each side, facing each other, and three mirrors in each curve of the fold.  There is an additional mirror, standing independently; this mirror has its own set of functions within the spatiotemporal composition of the environment. 

 

The performative action is carefully orchestrated and designed in four public prototypes aimed at observing the performance, guided by the shifting agencies of the stage, auditorium and the expanded screen in relation to the actions of the audience. The environment is designed with two sets of an auditorium at each side to accommodate the experiments of these public prototypes.

Technical Information

28 sheets of glass 12” x 72”

50 m x 4.5 m dark shark tooth fabric

28   theatre lamps

28   transducers

3 x  microphones

2 x   motu interfaces

1 x   amplifier

2 x   cameras

 

Space Requirements

Dimensions are variable and the work is designed site-specifically for each venue. For best results the minimal requirements are 35' x 55' (the work may expand to larger settings). First prototype was premiered at 30' x 78' Black Box. (Best in the Black Box setting, Large Gallery and Black Box Theatres).

 

Credits

Lenka Novakova: Concept / Direction

Otso Lahdeoja: Music / Sound Composition

Navid Navab: Image / Interactive design

Omar Faleh: Mapping / Consultation / Interactive design

Joseph Browne: Interactive Sound

Invisible Performers: November 7th, 2014

Navid Navab, Joe Brown, Omar Faleh

Ted Stafford:Light Tech.

Pietro Cerone: Consultation, Technical Assistance

Alena Nová: Graphic Design

Pamela Tudge: Event Coordinator

 

 

Photo Credit: © Lenka Novakova, Omar Faleh, Sonya MladenovaVideo Credit: © Sonya Mladenova, Adina Vukovic, Karim Dogruel and Omar Faleh

 

Selected Exhibitions

Agora Coeur Des Sciences, UQAM, Montreal, Quebec – Canada (October 27 – November 7th, 2014) Open to public: November 6 and 7 2014 

OVAL1

O V A L

is an interactive audio-video installation, composed of ten large sheets of glass hanging in a dark room. Structure-born sound drivers, attached to each sheet, induce and emit sound through ten independent channels. The vibrations form a spatial polyphony of sonic objects. Real-time moving images of the audience are projected with various applications of time delays programmed through Max/MSP on the glass sheets, creating a maze of self-portrait reflections and transparencies. The audience is immersed into a chimerical space of sonic and visual illusions. The installation becomes a macro-scale musical instrument, as well as an object for a compositional work. It creates both interior and exterior environments, which may be discovered by walking between the glass sheets and letting oneself be mesmerized by the play of light, reflection and sound within the walls of the exhibition space. O V A L constitutes a powerful esthetical experience, engaging the visual, spatial and auditory senses.

Technical Information

10 sheets of glass 2' x 6'

10 transducers

10 pieces of shark tooth fabric

1   spotlight

1   interactive cameraq1a

2   projectors

5   amplifiers

Motu interface

Mac mini (Max MSP)

 

Credits

Concept/Creation: Lenka Nováková & Otso Lãhdeoja

Lenka Nováková - Visual Artist

Otso Lahdeoja - Composer

Omar Faleh - Computer Design

Photo/Video credit: © Lenka Novakova

Special Thanks

Frank Ragano & Mariannah Amster

Co-Executive Directors at Parallel Studios

Quebec Art Council, CIAM – Hexagram

 

Selected Exhibitions

2013 Black Box Hexagram, Concordia University, Montreal, QC, Canada   http://hexagram.concordia.ca

2014    Currents 2014 Santa Fe New Media Arts Festival, Santa Fe, New Mexico, USA (June 13- June 29. 2014) http://currentsnewmedia.org/artists/lenka-novakova

2015     Sibelius Academy, University of the Arts, Helsinki, Finland

ROY 1

Where Are You Going Ray

is a performative environment developed specifically for three rooms and a large open entry space at the Armory building in Dayton, Ohio, US, during my session as a visiting artist at University of Dayton (UD). The entire space of this installation is divided into two separate areas, with the space of the three rooms suggesting the interior, and the space in front of the rooms, the exterior. I took advantage of this division to draw a reference to the theatre by contextualizing an idea of stage and auditorium as an open concept for interpretation. A live performance was designed for the three interior rooms, with a space for reflection on the performance made available in the exterior entry area.

In both sections of the Armory space, I developed very specific lighting where projectors and cameras are engaged to generate moving shadows, as well as multiple reflections of the involved participants divided into audience and actors. We chose window blinds, which represented the many abandoned or empty spaces in the Dayton area. Normally used in offices or homes to control the amount of light entering a room, the blinds were used to design a choreography where the students could further manipulate the light and projected images by opening and closing them. This act becomes part of the performance, which activates and introduces the qualities of the space as a construction of an ephemeral illusion, or a dream of sorts. The audience is invited to engage and interact with the installation once the performance culminates, opening the space to the viewer’s interpretation.

Technical Information

40 Screens (2’ x 6’ window blinds)
4 Projectors
2 DVD loop
2 interactive cameras

Credits

Concept/Creation: Lenka Novakova
In collaboration with University of Dayton and the Blue Sky Project
Photo/Video Credit © Lenka Novakova

Space Requirements

The installation I reconfigured for the large space of the Armory, however may be accommodated to different space.

Selected Exhibitions

2010 Blue Sky Project, Dayton, Ohio, USA
Project in collaboration with the University of Dayton and nine junior students
Exhibition at the University of Dayton Chapel, The Merc Building and UD Gallery Space
http://www.blueskydayton.org/exhibitions/where-are-you-going-ray-with-lenka-novakova
http://www.udayton.edu/
http://www.blueskydayton.org/
http://theblueskysummerdream.blogspot.ca/

My First House

 is an immersive environment composed of a burned down architectural structure and multiple video projections with a real-time interactive component. The structure of the house was disassembled on the bank of Saint Lawrence River in Saint Jean Port Joli, Quebec, in the spring of 2010 and transported to the gallery space. The structure is re-built within the interior of the gallery and becomes part of a landscape formed by multiple video projection reconstructing the memories of the actual site, which no longer exists. The audience is invited to walk throughout the installation space, as well as the actual house structure, and observe their own projected images mixed with projected shadows of the structure and other installed objects, such as a fallen tree, rocking chair, a cat, etc. The surrounding projections of the water surface of the Saint Lawrence river at sunrise, sunset and during the day appear to be swallowing the entire structure, gradually turning the space’s landscape from cold blue to burning red as if on fire. The project was developed during my residency at Est-Nord-Est where I came upon the burned down structure on the banks of the river and began to film the tides, and the sunsets on the river. While working on site, I gradually learned more about the story of the house from the local residents. Eventually, I decided to buy the remains of the house, transport them into the gallery space and reconstruct the memories along with the burned down structure and accompany them with 360-surround environment of the collected videos. Once the site was rebuilt, and the projections recreated the atmosphere of the river current and the projected sunsets reflecting in the black charcoal of the structure became reminiscent of fire many visitors shared their own recollections of a house fire. Hence, the immersive nature of this exhibition evoke similar notion of awakening and sharing living memories.

Technical Information:

Architectural elements of the bruned down house, parts of the landscape such as burned down tree, rocking chair, a cat, tools, etc.
4 Projectors
2 Interactive Cameras
1 DVD loop

HOUSE

Credits

Lenka Novakova - Concept/Creation
Andrew Harder - Technical Assistance

Special thanks to: Est-Nord-Est at Saint Jean Port Joli
With the support of Canada Council for the Arts

Photo/Video Credit © Lenka Novakova

Selected Exhibitions

2010 - Oboro, Montreal, QC, Canada www.oboro.net
Centre dedie a la production et a la presentation de l’art, des pratiques contemporaines et des nouveaux medias, Montreal, QC

Technical Information

3 projectors

9 channel video loop compositions

 

Space Requirements

Work is designed site specifically for the Merc Building
 

ROY 2

Where are you going Ray

is an art installation and performance designed specifically for the former steam factory located in the vacant part of Dayton, Ohio, US, known as the Merc Building. Together with a group of University of Dayton (UD) students, I developed an eight-channel video projection specific to each window of the building. Projectors placed within the interior of the building generate projected moving images developed in collaboration with the students through several workshop sessions. In these workshops, images were developed using UD’s black-box facility and working with the inverted image of the students’ own shadows. I then provided the students with basic editing skills and gave them autonomy over their own performances, to be screened on the windows.

Viewed from street level, our movie projections present as white figures appearing from and disappearing back into the darkness. The audience is situated outside on street level. From their point of view, they are able to recognize each figure by gesture or unique expressive movement, however they are not able to specifically identify each individual. The state of not knowing what or at who the audience is looking opens the possibility to consider the individual as an anonymous entity.

This state extends the idea to  interpretation of broader philosophical questions: Who are we? Where do we come from? Where we are going? These ponderings are particularly suited to periods of hardship faced by industrial cities in financial crisis. The abstract quality of light also suggests a simple idea of windows being lit up and/or darkened, alluding to the phenomenon of the architecture of the night.

Selected Exhibitions

2010 Blue Sky Project, Dayton, Ohio, USA
Project in collaboration with the University of Dayton and nine junior students
Exhibition at the University of Dayton Chapel, The Merc Building and UD Gallery Space
http://www.blueskydayton.org/exhibitions/where-are-you-going-ray-with-lenka-novakova
http://www.udayton.edu/
http://www.blueskydayton.org/
http://theblueskysummerdream.blogspot.ca/

Credits

Concept / Creation: Lenka Novakova
In collaboration with University of Dayton, Blue Sky Project

© Lenka Novakova 2010

Reviews

UD_Magazine_Blue_Sky

DEJA VU

Deaj Vu

is an interactive installation composed of theatre risers assembled into a staircase-like structure, two real-time cameras, four projectors and two large corner mirrors. The cameras are aimed towards the central architectural assembly and the projectors are positioned in such a way as to distribute a real-time projected image around the perimeter of the gallery space. Multiple layers of the projected image form an illusion of steps descending into infinity, around the 360-degree perimeter of the gallery space. Movement of the audience through the space creates visual echoes and repetitions of the projected image and mingles with the projected images of the infinite steps. The audience is invited to walk up, down and around the structure (as if walking on a stage), observing the movement of their own bodies and projecting their thoughts within the given landscape of infinite steps around them.

 

In addition, two large mirrors are placed in each corner of the gallery with another set of mini projectors aimed towards them. These are connected to an additional camera which ‘observes’ the platforms and feeds the image back. This set-up reflects the entire scenario back to the space of the installation, each from a different angle. If visitors rest up on the platforms (as if sitting in an auditorium), they may observe an optical illusion of multiple visual echoes of the theatre platforms descending into infinity and their own images being distributed within this disappearing landscape. In addition, they may glance into the two sets of corner mirrors set up at each side of the gallery. This view is not unlike watching a TV monitor, offering a reflected image of the entire site distorted into infinite echoes of the architectural setting, as well as multiple images of the visitors. Both the walls of the gallery and the mirrors may be considered as forms of an expanded screen.

Technical Information

4 projectors


2 CCTV high resolution cameras


Theatre platforms


2 mirrors


 

Space Requirements

Variable depending on the shape of the space, Minimal Space 28' x 28' and larger

Date of Creation: 2010

Concept/Creation: Lenka Nováková

 

Selected Exhibitions

2013 Thames Art Gallery – Chatham Kent, Chatham, ON, Canada

Have I been here before, Curator Carl Levoy, publication Kasia Basta

https://www.chatham-kent.ca

 

2012 University of Wisconsin, Gallery La Crosse, La Crosse, Wisconsin, USA

Have I been here before/Déjà vu, Exhibition, Artist Lecture

and performance in collaboration with UW students, Curated by Binod Shrestha

http://www.uwlax.edu/art/gallery/past.html

 

2011 Hamilton Artist, Inc., Hamilton, ON, Canada

Have I been here before Exhibition, Performance and Artist talk, Curated by Irene Laughlin, Performance in collaboration with Karijn Dejong, interview: Kristina deMelo

http://theinc.ca/2012/02/29/february-exhibition-openings-in-the-cannon-st-gallery-have-i-been-here-before-an-interactive-video-installation-by-lenka-novak/

http://hamiltonartistsinc.files.wordpress.com/2012/01/download-exhibition-brochure1.pdf

http://theinc.ca/

2010 SESC Pinheiros, et l’Atelie NOVO – Integracao Action Sao Paulo: Quebec

Echange artistique entre la ville de Quebec et Sao Paulo

Ce project est le fruit d’un partenariat entre Le Lieu, centre en art

Actuel, Avatar, La bande Video, La Chambre Blanche et L’oeil de poisson

http://www.sescsp.org.br/sesc

http://projetointegracao.wordpress.com/echange-2011/

http://www.chambreblanche.qc.ca/fr/

 

2010 La Chambre Blanche, QC, Canada

Fragments of Light, Have I been here before, Project & Exhibition Residency

Production, Exhibition and Artist Talk, Part of Sao Paulo – Quebec exchange

http://www.chambreblanche.qc.ca/EN/, http://projetointegracao.wordpress.com/echange-

 

Reviews:

Have I been here before - Hamilton Artist Inc.

Lenka Nováková - Chatham Kent Performance and Exhibition

http://levadrouilleururbain.wordpress.com/2011/04/13/la-chambre-blanche-le-lieu-et-le-sesc-pinheiros-presente

http://www.rcaaq.org/html/en/actualites/expositions_details.php?id=11312

http://www.chambreblanche.qc.ca/MEDIA/Prog/PDF/0813713092_PDFcommunique.pdf

http://www.punctum-qc.com/article_lenka_novakova.html

http://lizrosebowman.com/artwork/2737944_Have_I_been_here_before.html

Date of Creation: 2010

Concept/Creation: Lenka Nováková

Choreography/Direction: Lenka Nováková

Performer 1: Katia-Marie Germain (Thames Art Gallery)

Performer 2: Karijn de Jong (Hamilton Artist Centre)

Performer 3: Elizabeth Rose Bowman (University of Wisconsin)

Performance 1: La Chambre Blanche (students of Ecole de Danse, Quebec) 2010

Performance 2: University of Wisconsin, La Crosse (UW students) 2012

Performance 3: SESC Pinheiros 2010

photo/video credit © Lenka Nováková

Date of Creation: 2010

Concept/Creation: Lenka Nováková

Choreography/Direction: Lenka Nováková

Performer 1: Katia-Marie Germain (Thames Art Gallery)

Performer 2: Karijn de Jong (Hamilton Artist Centre)

Performer 3: Elizabeth Rose Bowman (University of Wisconsin)

Performance 1: La Chambre Blanche (students of Ecole de Danse, Quebec) 2010

Performance 2: University of Wisconsin, La Crosse (UW students) 2012

Performance 3: SESC Pinheiros 2010

photo/video credit © Lenka Nováková

Date of Creation: 2010

Concept/Creation: Lenka Nováková

Choreography/Direction: Lenka Nováková

Performer 1: Katia-Marie Germain (Thames Art Gallery)

Performer 2: Karijn de Jong (Hamilton Artist Centre)

Performer 3: Elizabeth Rose Bowman (University of Wisconsin)

Performance 1: La Chambre Blanche (students of Ecole de Danse, Quebec) 2010

Performance 2: University of Wisconsin, La Crosse (UW students) 2012

Performance 3: SESC Pinheiros 2010

photo/video credit © Lenka Nováková

Date of Creation: 2010

Concept/Creation: Lenka Nováková

Choreography/Direction: Lenka Nováková

Performer 1: Katia-Marie Germain (Thames Art Gallery)

Performer 2: Karijn de Jong (Hamilton Artist Centre)

Performer 3: Elizabeth Rose Bowman (University of Wisconsin)

Performance 1: La Chambre Blanche (students of Ecole de Danse, Quebec) 2010

Performance 2: University of Wisconsin, La Crosse (UW students) 2012

Performance 3: SESC Pinheiros 2010

photo/video credit © Lenka Nováková

I AM THE

I am the Light

Iis a performative environment exploring the relationship between a projected beam of light and body movement by employing a simple optical effect through the use of real-time camera and the exposure of the projector. The work was developed at University of Dayton, (UD), where I was invited as a visiting artist to create a project in collaboration with UD students. In an experimental black-box facility setting, I organized several workshops focused on the exploration of the relationship between light and movement, and worked with students to create improvisational choreographies. Several choreographies turned into edited short videos; some developed further into subsequent other projects,, and some continue on in their original versions. The work was presented several times, most notably at the Currents, International New Media Festival, Santa Fe, New Mexico, US.

Technical Information

1 projector
1 camera

Credits

Lenka Novakova concept/creation

 

Selected Exhibitions

2010 Blue Sky Project, Dayton, Ohio, USA
Project in collaboration with the University of Dayton and nine junior students
Exhibition at the University of Dayton Chapel, The Merc Building and UD Gallery Space
http://www.blueskydayton.org/exhibitions/where-are-you-going-ray-with-lenka-novakova
http://www.udayton.edu/
http://www.blueskydayton.org/
http://theblueskysummerdream.blogspot.ca/

 

2010Museo Cultural, Current 2010 Eighth International Biennial Exhibition, Santa Fe, USA‘In between the River and the Sky’, Curated by Frank and Marianne Reganno, ParallelStudiohttp://www.digitalarti.com/festival/currents_2011_santa_fe_international_new_media_festival

 

© 2010 Lenka Novakova

EASTERN

Experiments: Eastern Penitentiary

is an interactive environment employing real-time media to create a 360-degree illusion of an architectural surround formed by the repetition of a projected image. The image represents the long hallways of the Eastern Penitentiary, the oldest prison in the US, located in Philadelphia. The distribution of the multiplied images invites the audience to engage with and explore the projection and movement of their own bodies within this landscape, composed through the layering of their own moving bodies with the repetitive image of the hallway. This installation was created during my residency at La Chambre Blanche in Quebec City and served as an experiment and first step in the formation of a later installation created in the same space, titled Déjà vu.

Technical Information

4 projectors


2 CCTV high res. cameras


Theatre platforms


2 mirrors


 

Space Requirements

Variable depending on the space available, Minimal dimension 28' x 28' and larger.

 

Credits

Concept/Creation: Lenka Nováková

Performances

located in Philadelphia. The distribution of the multiplied images invites the audience to engage with and explore the projection and movement of their own bodies within this landscape, composed through the layering of their own moving bodies with the repetitive image of the hallway. This installation was created during my residency at La Chambre Blanche in Quebec City and served as an experiment and first step in the formation of a later installation created in the same space, titled Déjà vu.

LIGHT & DARK

In Between the Light and Darkness

is a site-specific audio-video installation and performance designed for the interiors of a national historical landmark, the Baroque Hospital Kuks located in the Czech Republic. The installation site has very specific characteristics and poses the challenge of bridging its Baroque artwork with a contemporary multimedia performance, mapping and projections. The installation space is very long and open with two rows of windows set high up. It is arched with high ceilings, and shelters 22 Baroque statues that embody allegories of virtues and vices, created by a well-known local sculptor Matthias Bernard Braun (1684–1738).  The performance of Light and Darkness consists of elaborate light and sound compositions, which were developed specifically to embrace the aesthetics of the space and the essence of the allegories. Two long water channels, which divide and optically dominate the space, function as a light reflector and sound resonator, turning the entire site into a musical chamber of light and sound compositions.

Supported by

Quebec Art Council, Light Design Prague, Historical Hospital Kuks

Photo and video Credit: © Lenka Nováková

Special thanks to: Historical Hospital Kuks and Libor Svec (kastelan) and staff.

Very special thanks to my family, friends and neighbours.


 

Credits

Lenka Nováková: Concept/Direction

 

Otso Lahdeoja: Music Composition / sound

Julie Dunlop: Poetry

Petr Zima: Theatre/Lights

Omar Faleh, Stanislav Abrham: Max MSP light compositions

Vojtech Dvorak: Fabrication, assistance and structural consultations

Petr Rehak: Fabrication, assistance and structural consultations

Alena Nova: Graphic design

Martina Prochazkova: production

Light Design Institute Prague: production

Baroque Quintet Orchestra:

(Klara Homonaiova (1st violin), Natsuko Brouckova (2nd violin), Lenka Maierova (viola), Tomoko Wiedswand Kanda (violoncello), Victor Martinek (double bass), Solists: Lucie Pavlikova (violin), Michaela Pitrova

Selected Exhibitions

Historical Hospital Kuks, Czech Republic, August 2013 - http://www.hospital-kuks.cz/en

 

 

 

SPOLETTO

Performances

located in Philadelphia. The distribution of the multiplied images invites the audience to engage with and explore the projection and movement of their own bodies within this landscape, composed through the layering of their own moving bodies with the repetitive image of the hallway. This installation was created during my residency at La Chambre Blanche in Quebec City and served as an experiment and first step in the formation of a later installation created in the same space, titled Déjà vu.

bottom of page